Robert Gordon, Olaf Jubin. 20. In dodecaphonic music , the term ' musical prose ... Sheet Music ' ( New York : Chappell , 1945 ) . 22. Nils Grosch , “ Vom Weib ... Edelweiß " : Hymne der ( österreichischen ) Unschuld ? ' , in Salzburgs ...
Paris and the Musical: The City of Light on Stage and Screen
... animation began to appear in cartoons by Warner Bros., MGM and even Disney (Furniss, 2007; Abraham, 2012).3 As Adam Abraham (2012, p. x) expresses in his monograph on the studio, UPA stood as a point of intersection among the arts. The ...
... Hamilton or listening to the original Broadway cast album and hearing Miranda spit out the line ' We know who's really doing the planting ' in ' Cabinet Battle # 1 ... lyrics - in English — are performed by Miranda himself , moving the ...
This book offers an introduction to one of Stephen Sondheim's most beloved shows, Into the Woods (1987), a musical that combines traditional fairy tales like Little Red Riding Hood, Jack and the Beanstalk, Rapunzel and Cinderella to form a ...
... lyrics ) . Before that , the RSC had ( co- ) created Les Misérables ( 1985 ) , Carrie ( 1988 ) , and Matilda ( 2011 ) ... lyrics by Richard Thomas . 11. See Krystyn Moon , Yellowface : Creating the Chinese ' SUPERBOY AND THE INVISIBLE GIRL ' ...
... Red and Black'— Red— the blood of angry men! Black— the dark of ages past! Red— a world about to dawn! Black— the night that ends at last! (libretto, 178) —to the even more electrifying 'Do You ... Les Misérables: from Novel to Musical 395.
... Lord of the Rings. Musical Retrospective 30/ 07/2012', https://chewingthescenerydotcom.wordpress.com/tag/chewing-the-scenery/, accessed 10 October 2014. At the RSC, Rob Howell designed The Shakespeare Review, The Painter of Dishonour ...
Paris and the Musical: The City of Light on Stage and Screen
... Everybody Wants to Be a Cat' as an answer to a question: BERLIOZ: [hearing ... Aristocats, and yet the film is only permitted to access this illogical ... Aristocats' narrative musical numbers fulfil distinctly different dramatic ...
... love are fleeting, as the deceived party has to learn the hard way: 'Words count for nothing | Only for show ...'138 ... Aida opens with the statement that 'Every story is a love story', only to proceed to the conclusion that 'Every ...
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