author: sterling professor of humanities harold bloom

Alan Paton's Cry, the Beloved Country

... Book Club's online 'literary expert' for several months in late 2003, answering (mostly American) readers' questions about the novel, sketching an admirably nuanced picture of the novel's reception and continuing resonance by reminding ...

Carson McCullers

... Golden Eye is published in two parts in October and November in Harper's Bazaar. Carson ill for most of winter. 1941 Reflections in a Golden Eye published in book form. In February, stricken with first cerebral stroke. Initiates divorce ...

Margaret Atwood

Harold Bloom, Sterling Professor of Humanities Harold Bloom. Alias Grace is ... quotes from Susanna Moodie's Life in the Clearings (1853), a central but ... Grace; letters from clergymen and others who circulated petitions on Grace's ...

London

... Marx and Freidrich Engels to Soho, and Marx is known for having settled in The German Hotel, just off Leicester Square. SOHO SQUARE Laid out in the 1680s Soho Square is the home of the offices of Bloomsbury Publishing which was founded ...

Elie Wiesel's Night

... Auschwitz and because of the theological importance of Wiesel's argument ... Oprah Winfrey recommended Night on her daytime television show, Wiesel's ... Germany's defeat in World War I and the fall 13.

Zora Neale Hurston's Their Eyes Were Watching God

... The Metastases of Enjoyment, ĆœiĆŸek points out that this command “Enjoy!” is the precise way in which domination works today: “In post-liberal societies, [ . . . ] the agency of social repression no longer acts in the guise of an ...

J. D. Salinger's the Catcher in the Rye

... . J. D. Salinger, The Catcher in the Rye (1951; Boston: Little, Brown, 1991) 13; hereafter referenced parenthetically in text by page number. 2. Thus the epigraph to Nine Stories (1953; Boston: Little, 59 Hyakujo's Geese.

Tennessee Williams's A Streetcar Named Desire

... Summer and Smoke and Suddenly Last Summer, it also led to such disasters of misplaced lyricism as the dreadful Camino Real and the dreary The Night of the Iguana. (Cat on a Hot Tin Roof, one of Williams's best plays, does not seem to me ...

Much Ado about Nothing

... no fear, you will do this very well. Only give way to natural joyousness. Let yourself go free; you cannot be vulgar, if you tried ever so hard.' And so the performance came, and went off more easily than I had imagined, as so many ...

Anton Chekhov

... The Brute, and Other Farces. New York: Grove Press, 1958. Bitsilli, Petr M. Chekhov's Art: A Stylistic Analysis. Trans. T. W. Clyman and E. J. Cruise. Ann Arbor, MI: Ardis Press, 1983. ——— . “From Chekhonte to Chekhov.” In V. Erlich, ed ...

Edgar Allan Poe's the Tell-tale Heart and Other Stories

... analysis are undone by our own somatic performance. As “The Murders in the Rue Morgue” concludes, the divergent senses of the word “stamen” crystallize its irreconcilable oppositions: “stamen, n.; pl. stamens rare stamina, [L., a warp ...

English Romantic Poetry

Examines the Romantic period in poetry that includes the works of Byron, Shelley, Keats and others.

Sylvia Plath

... Center, University of Texas, Austin. 17. Sylvia Plath, correspondence with Brian Cox, Critical Quarterly, University ... Lazarus,” Collected Poems, p. 244–7 and manuscript versions at Smith College Rare Books Collection. In W. B. Yeats' A ...

Enslavement and Emancipation

... Huck's limited vision. One thing is clear. As long as Jim is headed toward Cairo, life on the raft is not ... board the Walter Scott, a capricious stunt that nearly loses them the raft, Jim's only means of successfully achieving his ...

The American Dream

... American Dream. Rather than focus merely on the “contradiction between the American promise of 'liberty and justice,'” and “the political and socio-economic disadvantages of the Black American” in Hughes' poetry, Brown opens with an ...

Maya Angelou's I Know Why the Caged Bird Sings: A Casebook

... poem that the younger self could not remember began, “What are you looking at me for? I didn't come to stay . . .” (3). The line she could not remember went, “I just come to tell you, it's Easter Day” (5). Angelou thus opens Caged Bird ...

Charles Dickens's Great Expectations

... Irony in his Novels (Oxford: Clarendon Press, 1970), p. 237, asserts that Dickens' “most important and extensive use of coincidence” is “to create an ironic effect” and to suggest “fate or design.” See, too, the stimulating chapter on ...

New York

... audible in the roar of city sounds ” ( 159 ) . It is precisely this “ new world of possibility ... audible in the roar ... native son , ” as he refers to himself in the title of his 1955 book Notes of a Native Son . In fact , Baldwin was ...

John Knowles's A Separate Peace

... (character), 28, 34 Antolini, Mr. (character), 17 Aristotle, 40 Ark, 59 Army Parachute Riggers School, 60 Around the ... Beowulf (character), 59 Between Men, 79 Billy Budd, 92–93 Blitzball (fictional game), 20, 30, 49, 102 Bodies That ...

Aldous Huxley

... Brave New World: Essays. Jefferson, NC: McFarland, 2008, pp. 107–116. Keulks ... Notes and Queries, Volume 51, Number 2 (June 2004): pp. 178–182. Mathisen ... Brave New World, and Aldous Huxley's Later Novels,” Aldous Huxley Annual: A ...

James Joyce

... pocket” (9.741–42)—and Hamlet pĂšre and Hamlet fils. And Othello. And Iago ... God (“After God, Shakespeare has created most” [9.1028–29]), but now serves ... episode four of the surfiction. Mr. Bloom is a creation of Stephen's; Bloom's ...

Henry V

... Henry IV is more likable in Part Two than he was in Part One, he is no longer an active character (he doesn't even appear until the third act). And his place is filled by Prince John, as chilling a character as Shakespeare would ever ...

Native American Writers

... Code of Handsome Lake,” in Parker on the Iroquois (1968), 16–19 ... Shield: The Life and Times of Sitting Bull (1993), Chapter 11, esp. 138. 15 ... 2, 4. AnzaldĂșa, Gloria. Borderlands / La Frontera: The New Mestiza. San 38 Frederick E. Hoxie.

William Shakespeare's Othello

... plot and to Iago as master plotter. That Iago is a plotter goes without saying. He revels in plots, sees them everywhere—suspects Othello of wearing his nightcap, suspects, now that he thinks of it, Cassio of lusting for it too, and may ...

African-American Poets

... Harlem Renaissance: Depicting the 'New Negro.'” From The 'New Negro' in the ... Harlem Renaissance and the Black Arts Movement.” From New Thoughts on the Black ... Unbound: Theorizing the Dilemma of Eighteenth-Century African American ...

Joseph Heller's Catch-22

Discusses the writing of Catch-22 by Joseph Heller. Includes critical essays on the work and a brief biography of the author.

J. D. Salinger

... line goes, “If a body meet a body coming through the rye,” and that it is not from a song but from a poem by Robert Burns. This information doesn't make a difference to Holden, and he explains that he keeps ... Catcher in the Rye 161.

Franz Kafka's the Metamorphosis

... interpretation of Grete's all too brief statement and was assuming that Gregor had been guilty of some violent act” (120). The “worst interpretation” here results in the father's condemning Gregor, and so he bombards his scampering son ...

Ernest Hemingway's A Farewell to Arms

... Hemingway International Conference in Key West, Florida, in 2004. He teaches ... Natural World (1999), and contributed articles on Hemingway's life and work ... Teaching Hemingway's “The Sun Also Rises” (Peter L. Hayes, ed.) and Teaching ...

Cormac McCarthy

... Blood Meridian.” Language and Literature 20 (1995): 19–33. Carman, Michael Dennis. United States Customs and the Madero Revolution. El Paso: Texas Western P, 1976. Daugherty, Leo. “Gravers False and True: Blood ... Free Will on the American ...

Alice Walker

... Alice Walker: “Everyday Use” and Alice Walker: A Stitch in Time. The former is a 26-minute dramatization of the story and the latter is a 22-minute interview with ... Everyday Use': A Summary and Analysis 162 Marcia Noe and Michael Jaynes.

William Shakespeare's Julius Caesar

Presents a collection of critical essays about William Shakespeare's play, Julius Caesar.

Joseph Heller's Catch-22

Presents a collection of essays analyzing Heller's Catch-22, including a chronology of his works and life.

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