author: sheila whiteley

The Oxford Handbook of Music and Virtuality

... Gorillaz: The Rise of the Ogre. New York: Riverhead Books. Buskirk, Eliot Van. 2010. “Gorillaz Talk Plastic Beach, Subtle Environmentalism and 'Sunshine in a Bag.'” Wired, Apr. 29, http://www.wired.com/underwire/2010/04/gorillaz/ all/1 ...

The Oxford Handbook of Music and Queerness

... R&B categories, Ndegeocello told Billboard magazine that, in her estimation: What he's doing is karaoke, basically. With “Finesse,” in particular, I think he was simply copying Bell Biv DeVoe. I think he was copying Babyface. And ...

Christmas, Ideology and Popular Culture

... Selena Fox's website in particular, including 'a list of suggestions on how 21st century citizens can take part in the ancient rituals, to “re-paganize” Christmastime' (Kovacs 2005b: Selena Fox). So who was Kirby? This personage's real ...

The Oxford Handbook of Music and Queerness

... Questlove” Thompson's Mo' Meta Bluse: The World According to Questlove (New York: Grand Central Publishing/ Hachette Book Group, 2013) is perhaps the most sweeping and eclectic contemplation on the deep and divergent influences on hip ...

Queering the Popular Pitch

... Bohemian Rhapsody , ” a signature track from Queen's 1975 album A Night at the Opera that provides an intriguing insight into Mercury's private life at the time ; the song's three separate acts reflect three separate turmoils— all , it ...

The Oxford Handbook of Music and Virtuality

... Electric Don Quixote: The Definitive Story of Frank Zappa. London: Omnibus Press. Tagg, Philip. 2013. Music's ... donlope/fz/index.html (accessed Mar. 05, 2014). Kill Ugly Radio. “Welcome to Zappa Wiki Jawaka.” http://wiki.killuglyradio ...

The Oxford Handbook of Music and Virtuality

... Vocaloid 2. This in turn was superseded by Vocaloid 3, which was launched in October 2011, accompanied by a number of software plug-ins, including the VocaListener and Vocaloid-flex, additions that widened the parameters of the Vocaloid 3 ...

Women and Popular Music: Sexuality, Identity and Subjectivity

... chords are superimposed as in the Bb/D, C7/E, G/D with the Ebm/Bb having an ... lyrics. Starr, op. cit., p. 223. O'Brien, L. (1995) She Bop. The Definitive History of Women in Rock, Pop and Soul, London: Penguin, p. 257 ... KIND OF WOMAN.

Too Much Too Young: Popular Music Age and Gender

... Hendrix, Jimi 14, 88, 126, 138–47, 160, 169, 172, 176, 180; Are You ... Star Spangled Banner' 172 heroism, death and 14, 147–56, 169 Herzog, C. 34 ... Tab 123 Hutchence, Michael 138, 149, 189 Huxley, Aldous 41 identity 63; and bodily ...

The Space Between the Notes: Rock and the Counter-Culture

... anger and frustration with the establishment—the school rebel, the angry young man. The introduction establishes a rebellious mood as guitar staccato chords on the subdominant conflict with a piercing pedal reiteration on the dominant ...

The Space Between the Notes: Rock and the Counter-Culture

... pianochordsof TheGreat GigintheSky. Nothing could be moreperfectly peaceful and hymnlike than the openingchords of this track. Its clear, simpletexture and structure has a solemn Lutheran quality thatrecallsthe rebirth oforder, humanity ...

Women and Popular Music: Sexuality, Identity, and Subjectivity

... Spice Girls have a different image, a different personality, so giving an ... Mama' – 'she used to be my only enemy and never let me free, catching me in ... Spice Girls – mother as part of an extended gang which also includes the 'hippy ...

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