author: olaf jubin

The Oxford Handbook of the Global Stage Musical

Robert Gordon, Olaf Jubin. 20. In dodecaphonic music , the term ' musical prose ... Sheet Music ' ( New York : Chappell , 1945 ) . 22. Nils Grosch , “ Vom Weib ... Edelweiß " : Hymne der ( österreichischen ) Unschuld ? ' , in Salzburgs ...

Paris and the Musical: The City of Light on Stage and Screen

... Moulin Rouge!. Firstly, clients during the belle époque were no longer ... La Complainte de la butte', which was written by Jean Renoir for his production of French Can-Can (1954). Next comes a fast tracking shot that starts at the Porte de ...

The Oxford Handbook of the Global Stage Musical

... theatre of which I dream . " She rightly regarded musical theatre as the most difficult of the actor's art forms ... stages . Worth mentioning is the school's informal status in its early years ... type of theatre in Poland . It is worth noting ...

Sondheim and Lapine's Into the Woods

This book offers an introduction to one of Stephen Sondheim's most beloved shows, Into the Woods (1987), a musical that combines traditional fairy tales like Little Red Riding Hood, Jack and the Beanstalk, Rapunzel and Cinderella to form a ...

The Oxford Handbook of the Global Stage Musical

... The Drowsy Chaperone ( 2006 ) and Come from Away ( 2017 ) . Thus , two Canadian shows out of five have succeeded on ... Hello Montréal . Although the patriotism was for another country , their talent carried the day , or perhaps the ...

The Oxford Handbook of the British Musical

... Lord of the Rings. Musical Retrospective 30/ 07/2012', https://chewingthescenerydotcom.wordpress.com/tag/chewing-the-scenery/ , accessed 10 October 2014. 26. At the RSC, Rob Howell designed The Shakespeare Review, The Painter of ...

The Oxford Handbook of the British Musical

... songs were preserved in recorded or sheet music form and the score and orchestrations are lost. For someone of Novello's standing, this is incredible, but sadly not that unusual in the history of the British musical. Singer Lorna Dallas ...

Paris and the Musical: The City of Light on Stage and Screen

... Everybody Wants to Be a Cat' represents an emotional high point of The Aristocats, and yet the film is only permitted to access this illogical register of musical presentation when it is carefully aligned as a direct result of linear ...

British Musical Theatre since 1950

... Boogie'59, 116; 'Electricity' 65,209; 'Expressing Yourself'58,208; 'He Could Be a Star' 63–5; 'Merry Christmas ... Blitz! (1962) 45,216,236 n.174 the Blitz 7 Blondel (1983) 143, 191,218 Blondie 196 Blood Brothers (1983) 1, 3, 4, 5, 32 ...

The Oxford Handbook of the British Musical

... love are fleeting, as the deceived party has to learn the hard way: 'Words count for nothing | Only for show ...'138 ... Aida opens with the statement that 'Every story is a love story', only to proceed to the conclusion that 'Every ...

This website uses cookies and collects data for optimal performance. Your continued use signifies agreement to our Privacy Policy.