author: maria tatar

... monologue ” ) because it has become " solidly entrenched in theoretical discourse ... monologues as pre- senting preverbal mental states ( 77–78 , 86 ) . 9. Ibid ... ( Garden City , New York : Doubleday and Company ) . Quoted by Degenfelder ...

... Dragon Tattoo (New York: Knopf, 2002), 346, 213, 362,32. 7. Cecilia ... City featured eight popular fairytale scenes, ranging from “Cinderella” to ... City Guide as a series of ten images. The “Cinderella” scene is tagged “Imagine being ...

... Men, Women, and Chainsaws, p. 194. 12. Angela Carter, The Sadeian Woman and the Ideology of Pornography (New York: Harper & Row, 1980), p. 123. 13. I borrow the terms of the last sentence in the paragraph from Susan Rubin Suleiman's ...

Maria Tatar. drama Faust to Richard Wagner's opera The Flying Dutchman, women quietly spin and weave, cook and clean ... SparkNotes: “Odysseus has the defining character traits of a Homeric leader: strength, courage, nobility, a thirst ...

... Allerleirauh returns to civilization when the dogs of a king's hunts- men follow her scent to the hollow tree in which she is sleeping . " You'll be perfect for the kitchen , Allerleirauh , ' " the huntsmen tell the heroine , who can ...

... Anne Sexton, “Cinderella” and “Snow White and the Seven Dwarfs,” in Transformations (Boston: Houghton Mifflin, 1971), 53–7, at 54; 3–9, at 6, respectively. 21 Jacques Lacan, The Four Fundamental Concepts of Psycho-Analysis, ed ...

... not often used to model an aesthetic program. Hans Christian Andersen's "The Emperor's New Clothes" famously punctures pomp and self-importance when, in its final scene, a child reveals that the emperor has no clothes. The story has ...

... radiant beauty had never before been seen. Her lovely blond hair glittered ... world and descended on the court in great numbers. No prince or potentate ... 3 The story of Donkeyskin may be hard to believe, but as long as there are ...