author: keith corson

ReFocus: The Films of Francis Veber

... screenplay for their films became a loose framework for improvisation much in the same way that Thelonious Monk's bebop compositions were a guide for players, not a rule. The screenplays for Anchorman and The 40-Year-Old Virgin outline ...

This website uses cookies and collects data for optimal performance. Your continued use signifies agreement to our Privacy Policy.