... criticism , ” stands Inter et Inter and the metamorphosis . One of the primary means by which we might distinguish between the sort of criticism Inter et Inter condemns and the sort he practices in " The Crisis , " then , would be to ...
Volume 16, Tome I: Kierkegaard's Literary Figures and Motifs: Agamemnon to Guadalquivir
... her husbands on their wedding night. sarah is a heroic character whose faith ... innocent in the narrative. the reference to bluebeard transitions the ... wedding night,” which is a departure from the bluebeard tales. in Fear and ...
Volume 2, Tome I: Kierkegaard and the Greek World - Socrates and Plato
... Socratic irony in our day and in Kierkegaard's own . I next proceed ( in Section II ) to explore the interpretive steps by which Kierkegaard grounds his account in Plato's dialogues . I conclude ( in Section III ) by reflecting on ...
Volume 16, Tome II: Kierkegaard's Literary Figures and Motifs: Gulliver to Zerlina
... Kierkegaard is likely to have attended performances that varied considerably ... either Schikaneder's or the Danish translator's, are generally so lunatic ... Kierkegaard's references to Papageno appear in volume one of Either/Or ...
Kierkegaard and the Greek World: Socrates and Plato
... Socratic irony : an intriguing exception to this modern pattern . Kierkegaard was as quick as any other Plato scholar in modernity to label Socrates an " ironist , " and to describe Socrates ' professions of ignorance as " irony ...
Volume 21, Tome I: Cumulative Index: Index of Names, A-K
... vengeance belongs....If the plan remains fixed, then Hamlet is a kind of ... ddo, nøle, v.). 49 SKS 6,435 / SLW, 472. it is worth noting that elsewhere in his oeuvre Kierkegaard also draws on what he claims is a passage in Hamlet to elucidate ...
... health of the spirit.”26 the sinful human condition is further to be understood from the viewpoint of freedom: the ... PC, 183, and elsewhere), or also “becoming and continuing to be a Christian” (SKS 12, 194/PC, 196) is the explicit ...
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