author: jacqueline warwick

... punk 57, 59, 158, 143, 199 Pure Heroine 81–82, 84 Pussy Riot 57 Rap 201, 211–221, 224–226 Recording Industry Association (RIAA) 217 Red, Katey 218–219 Reddington, Helen 16, 20, 30 Reggae 216 Reggaeton 216 “Reviving Ophelia” 192, 193 ...

Essays in Honor of Susan McClary Jacqueline Warwick. choruses, which express the sentiments of ... lyrics narrate the story of Madeline Mooney, “who'd rather be dancing than ... Don't let my feet touch the ground. I feel like a ship on an ocean ...

... women in Connecticut. The question of female desire and the ... kind of reality, and still does. “Will You Love Me Tomorrow?” begins with a prominent C major chord ... lyrics, but the song returns quickly to C major when the lyrics expand ...

... death of the promiscuous bride—the estranged husband stabs her to death ... music that accompany his utterances, but also by the image on the sheet ... waltz. While all classes continued dancing the waltz into the twentieth century, its ...

... stranger would it be If we met up at midnight in the hanging tree.” The mockingjays begin to alter their songs as they become aware of my new offering. “Are you, are you Coming to the tree Where the dead man called out for his love to ...