author: geoffrey block

... Cockeyed Optimist . " ) In another sign of dramatically meaningful musical compatibility , Emile ends most of his phrases with Nellie's “ jello ” rhythm ( stretched to three syllables and three notes ) from “ A Cockeyed Optimist . ” In ...

... Good-bye, Ma Lady Love" (Howard), 24 “Goodbye, Little Dream, Goodbye" (Porter), 46, W85n32 Good News! (DeSylva, Brown, and Henderson), 186 “Goodnight Sweetheart" (Noble, Campbell, and Connelly), W91n29 “Good Thing Going" (Sondheim), 380 ...

... musicals can be viewed as the proud inheritance of the great traditional musicals from Show Boat to West Side Story. As revivals continue to demonstrate, many musicals between Show Boat and Gypsy (1927–1959) ... shows in the 1970s, '80s, and.

... Dream ( Weill ) , 148 , 149 , 150 , 151 Goldman , James , 7 , 286 , 288–89 , 390nn.42 , 45 , 391n.48 Good - bye , Ma Lady Love ( Howard ) , 24 , 355n.29 Goodbye , Little Dream , Goodbye ( Porter ) , 47 , 356n.32 Good Morning , Carrie ...

... Anything Goes revival in 1962, the version distributed to prospective producers until replaced by the 1987 revival, incorporated no less than six songs out of a total of fourteen from other Porter shows (“It's De-Lovely,” “Heaven Hop ...

... Cabaret,” 244; “If You Could See Her,” 240, 241; “Maybe This Time, 235, 237–38; “Mein Herr,” 231, 233, 236, 238; “Money, Money,” 233, 238–39; “Tiller Girls,” 235, 244; “Tomorrow Belongs to Me,” 230, 232, 233; “Two Ladies,” 239 ...

... South Pacific , and they firmly controlled the rights , script , and style of the other two . These are movies made by theater people , not movie people — lacking in visual style , visual interest , even visual beauty ( except for an ...

... analysis , Ives's music is no more and no less American than Berg's is Austrian or Bartók's Hungarian . All were ... Smetana's Moldau , the march music in Ives's Putnam's Camp and The Fourth of July to march movements in Mahler songs and ...