... Funny Honeyâ atop a Helen Morganâstyle upright piano, the lyrics cut into a dialogue scene in which her husband is ... song (âFor her first number ... â), and, after the scene, one of the ensemble appeared to announce the next âact ...
Sing for Your Supper: The Broadway Musical in the 1930s
... Goodbye, Little Dream, Goodbye,â* was a rarity worthy of revivalâand it gave the sweetheart. * Though a Porter number of the mid-1930s and thus sound Anything Goes material, âGoodbyeâ is technically not from a Porter show. Written for ...
Beautiful Mornin': The Broadway Musical in the 1940s
... Carousel were also ballet shows ? But Oklahoma ! and Carousel were not zany ... scores . On the Town's dance arrangements are about the imagination that figures ... score early in the evening in the number " Ga- bey's Comin ' ( to town ) ...
Beautiful Mornin': The Broadway Musical in the 1940s
... The singers handled the melody (including a bemusing anticipation of Hello, Dolly! 's âRibbons Down My Backâ in âYour Good Morningâ) while the comics kidded the Rockefellers, the demolition of the Women's House of Detention, Maria Callas ...
The Happiest Corpse I've Ever Seen: The Last Twenty-Five Years of the Broadway Musical
The Last Twenty-Five Years of the Broadway Musical Ethan Mordden. she may die but love will not, and we hear it in ... My Favorite Year (1992), based on Richard Benjamin's film about an Errol Flynn sort guesting on something like Sid ...
... The Fantasticks but a smash of the Big Broadway sort, high-powered and ... scriptâa procedure we really haven't seen much of, though it dates back to ... script tells us how much more faithfully Hollywood has lately been in its Broadway ...
... song cue, so we don't realize how telling they are. And Sally isn't ... lyrics, that of a wife trying to fight with a husband who apparently doesn't ... Broadway Baby,â crackles with ambition, and âWho's That Woman?,â for all its ...
Open a New Window: The Broadway Musical in the 1960s
... two shows were being written at the same time: the musical that was opening up I Am a Camera, and the musical that was opening up that musical with onstage cabaret numbers. Commentative numbersââTwo Ladies ... Cabaret,â on not voting when ...
... music), âApril Showersâ (to Louis Silvers' music), and so on. Not ... million copies of sheet musicâ and âtwo million records.â As to the song ... free advertising for the movie it âthemed.â Better yet, it made fortunes for the studios ...
Broadway Babies: The People who Made the American Musical
... lyrics people like Fred and Adele Astaire could sing : as innocent as a brother - and - sister act . Not much happens in Lady , Be Good ! The siblings hold chins high in adversity ( â Hang On to Me " ) , the sister meets a guy ( â So Am ...
... Sweeney Todd score, but a set of dialogues, at first for two characters, then another two, then all four? Which part of this quartet were they intending to hum? And is their humming more important than the urgency of plot action that ...
Pick a Pocket Or Two: A History of British Musical Theatre
... Matilda (2010), from Roald Dahl's novel, also rotates young performers in the title role. Here the worrisome ... naughty,â she explains, in music snappy and syncopated. (Minchin marks the number âSwing.â) Reasoning it out as she juggles ...
Love Song: The Lives of Kurt Weill and Lotte Lenya
... Show Boat's âBillâ her personal property, sings a couple of numbers. * This did not stop Hollywood from filming the story in 1934, without the slightest taste ofWeill's score. It's an anticipation ofthe bad luck Weill was to have in his ...
... Cry Me a River,â we hear how she feels about the lover who abandoned her ... music without having to get up and change the disc after three or four ... sheet music but in unique arrangements. And there was an acting coach, Allan Miller ...
Broadway Babies: The People Who Made the American Musical
... Carousel ( 1945 ) , * in most ways the essential R & H show . ( It was ... score to Pal Joey ( though it still has the swing that the later Rodgers ... Carousel , but he did score " The Carousel Waltz " and " Mister Snow . " Walker ...
... Honey they all sound alike, barring the odd novelty piece here and there, such as The Grand Tour's very situation- based âWedding Conversation.â Herman's homogenization of oeuvre lies mainly in the music, extremely consistent over the ...
A Guide to Orchestral Music: The Handbook for Non-musicians
... Flute ) 1791 The Magic Flute , one of Mozart's last works , is an odd item ... titanic . Power : this was the morality of his symphonic outlook , power to ... theme that grows more triumphant from movement to movement . With his Seventh ...
How's Your Romance?: Concluding the "Buddies" Cycle
... my irrepressible Davey-Boy,â said Tom-Tom, pulling a leather jacket out of the closet and handing me my dress coat, muffler, and the attache with the sheet music ... PARTY WAS, As always, the highlight of my holidays; after the Sheri concert ...
... Life On the Wicked Stage.â7 Then, too, the storyline 7. The former is not a separate number in the score, forming a segment of the musical scene leading up to âMake-Believe.â It is cited in the table of contents thus, though most ...
The Guest List: How Manhattan Defined American Sophistication---from the Algonquin Round Table to Truman Capote's Ball
... Music Hall, Swingin' the Dream was a gigantic explosion of New Yorkism, with ... up with the third stunt: not to adapt but include Shakespeare, in both songs ... Brush Up Your Shakespeareâ cites titles and characters from the Globe ...
... song : " My Man , " " created , " as the French express the first performance , by ... lyrics by Alex Rogers to Williams ' own music : When life seems full of ... Funny Honey " ) , Marilyn Miller ( " A Little Bit Of Good " ) , Ted Lewis ...
A Guide to Orchestral Music : The Handbook for Non-Musicians: The Handbook for Non-Musicians
... Haydn usually likes to be in his finales . Alto- gether , this is a ... Symphony no . 94 in G Major , " Surprise " 1791 The famous " surprise " is ... Haydn's death , the piquancy of the chord's little legend made no . 94 the most ...
... Barefoot in the Park , when Redford turns wild he becomes scary , at least to Fonda . He crawls around on the roof of a brownstone , defying death . He ignores the state of his ties . He goes barefoot in the park . Of course , Barefoot ...
... comics , why should we sympathize with the soldier boy - French girl love story ? They're there partly to spell the ... hotcha spot , " Don't Let Anybody Vamp Your Man , " could have gone into any routine musical without a single lyric ...
... Ah! lève-toi soleil!â Detractors claimed the recording technicians had simply turned knobs in the studio when Corelli recorded Gounod's opera, with Mirella Freni. However, many heard him sing that diminuendo in the theatre. It was ...
... cheats. âRapacious,â the Hamburger called him. âHe'd steal your underpants ... Rome trip. But the thing was so convenient: he lived in Rome, he loved to ... total American. Brooklyn. Around fifty, short and thick and lined, with ...
... Che gelida manina . " And Puccini said , " Who sent you to me â God ? " A Secular Pope Vincenzo Lombardi , Caruso's coach and first major enthusiast , told conductor Leopoldo Mugnone that it was just a matter of time â not much time ...
... is Jay Gatsby truly wonderful or is he just attractive and Nick Carraway gay? But fairy tales present basic and consistent charactersâthe weak father and vicious stepmother, the gobbling goblin, the sweet little kids, the clueless king ...
All That Jazz: The Life and Times of the Musical Chicago
... Funny Honeyâ isn't a torch song, though it does recall another genre Morgan worked in, the playful âHe's not much but I love himâ solo (which is in fact how âBillâ originally worked). âHe ain't no sheikâ is a central âFunny Honeyâ line ...
... Ann Blyth,â said Johnny. The Kid. Lois grimaced and Jo-Jo made no-no fingers at Johnny. âYou know,â says the Kid, âI only describe what everyone sees.â The black Duesenberg was waiting for Johnny, the capped chauffeur as stiff as an ...
... She and Guardino had a flirtation duet, âCome Play Wiz Me,â in which the ... song, a tender lament by one who can't âlower my guard.â They fondly think ... theme song for an introvert doesn't mean you are one. Do I Hear a Waltz? An ...
... little wonders startle with their invention and idiosyncrasy . L'Italiana offers a classic instance of the frenetic ... chords and short choral notes under her vocal line , a simple tune deftly embellished . If Il Turco in Italia lacks L ...
Pick a Pocket Or Two: A History of British Musical Theatre
... chords. Further, American Paul Hipp (in London, then in New York) embodied Holly perfectly, no casual achievement as Holly had an oddly nerdy look for a rock ... We Will Rock You (2012) was a stand-out, attracting those who normally skip ...
This website uses cookies and collects data for optimal performance. Your continued use signifies agreement to our Privacy Policy.