... Romeo and Juliet as a monument to his career, then Shearer—with this new sense of agency—perceived Marie Antoinette as a monument to her husband. It is fitting, then, that the two films would share a similar stylistic duality. Where Romeo ...
Beyond the Looking Glass: Narcissism and Female Stardom in Studio-Era Hollywood
... Janey Place (1998) have noted: the former discussing the theme of a split female subjectivity in films like Dark Mirror (Robert Siodmak, 1946) and A Stolen Life (Curtis Bernhardt, 1946), and the latter commenting on the distinc- tion ...
This website uses cookies and collects data for optimal performance. Your continued use signifies agreement to our Privacy Policy.
