... de Tijuana on 23 November 2002. Although the CD contains new versions of ... format. For Pepe, the iPod represented the industry's acceptance that downloading music over the Internet, the collective's preferred ... Word Around 103.
Experimentalisms in Practice: Music Perspectives from Latin America
... guantanamera, by 196 . . . Joseíto Fernández (final symphonic version) Secondary themes—popular forms (original ... Letras Cubanas, 1982), 61–63. their cries of “¡Viva España!” Through his use of avant-garde techniques Brouwer also ...
... www.facebook.com/pages/ Juli%C3%A1n-Carrillo-y-el-Sonido-13/194248920630763?ref=profile (accessed on January 2, 2014); “Revista El Sonido 13” is at https://www.facebook.com/pages/ Revista-Sonido-13/315186281836097?ref=profile (accessed ...
Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized Scenario
... Los hijos de la Malinche,” in La Malinche, sus padres y sus hijos, ed. Margo Glantz (Mexico City: Taurus, 2001) and Carlos Monsivais's essay, “La Malinche y el malinchisrno” in the same volume. The performance artist Guillermo Gomez ...
Danzón: Circum-Caribbean Dialogues in Music and Dance
... Guantanamera': Dual Tonicity in Spanish and Latin American Musics,” Journal of the American Musicological Society ... Letras Cubanas, 2004. Martínez Furé, Rogelio. “Tambor.” Essays on Cuban Music. North American and Cuban Perspectives ...
Danzón: Circum-Caribbean Dialogues in Music and Dance
... popular well into the 1890s, it is not entirely clear which version of the ... contradanza/danza form was standard practice. For example, itis evidentin the ... baile nacional cubano: el danzón,” in Galicia-Cuba: un patrimonio cultural ...
Experimentalisms in Practice: Music Perspectives from Latin America
... music that existed outside the genres and traditions with which she was most familiar. Ultimately, she recalled, she chose a path devoted to searching out what she came to call “my own music”: I got rid of the sheet ... way they were supposed ...
Transnational Encounters: Music and Performance at the U.S.-Mexico Border
... music.“Spanish Flea” and “Tijuana Taxi” were the Tijuana Sound templates: a bright upbeat melody honked by swaying horns, a rhythm line that tended toward thumping and knocking, and a dash of symbolic Mexicanness courtesy of marimbas or ...
Experimentalisms in Practice: Music Perspectives from Latin America
... de la amistad seguido de El oído de Heidegger, trans. Patricio Peñalver and Francisco Vidarte (Madrid: Trotta, 1998); ... Ensayos sobre la consciencia musical seguidos de la consciencia inacabada (Mexico City: Centro de Investigaciones en ...
... Letras Cubanas, 1988), 213. 52. Ibid. 53. Tania León, personal interview ... Letras Cubanas, 2013). Chapter 2. Modulation and Displacement 1. Matthew ... Guantanamera compuesta por Julián Orbón. Política cultural de la revolución ...
Nor-tec Rifa!: Electronic Dance Music from Tijuana to the World
... bass line appears filtered over a disjointed rhythm produced by combining a drum machine with a tarola sample taken from Pepe's CD. Immediately after, an unprocessed bajo sexto plays a series of staccato chords and introduces a ...
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